{"id":6645,"date":"2021-04-09T09:52:12","date_gmt":"2021-04-09T13:52:12","guid":{"rendered":"http:\/\/wp.umpi.edu\/utimes\/?p=6645"},"modified":"2025-07-09T12:27:41","modified_gmt":"2025-07-09T16:27:41","slug":"four-of-the-smartest-personal-finance-moves-college-students-can-make-this-year","status":"publish","type":"post","link":"https:\/\/wp.umpi.edu\/utimes\/2021\/04\/09\/four-of-the-smartest-personal-finance-moves-college-students-can-make-this-year\/","title":{"rendered":"Pulitzer Photographs: Moments That Transcend Generations"},"content":{"rendered":"<p>Taking the perfect picture and becoming a Pulitzer Prize winning photographer is no easy task. After all, a Pulitzer Prize is the biggest honor a photojournalist can achieve. Those who choose this photojournalist path in life can no longer just live for the moment. They need to always be \u201con call,\u201d in a constant state of alert. Always waiting for that fleeting moment that will change everything. And it might never happen. One second longer that it takes them to put on their boots, one trip to the bathroom, one day they don\u2019t have their camera on them\u2026. That\u2019s all it takes to miss the photo of a lifetime.<\/p>\n<p>As photojournalists, they are bound to witness things that will affect their mental health. They need to get close and many times immerse themselves in tragedies they know they don\u2019t have the power to change. The only thing they can do is help tell those stories, and they might go through a very traumatic experience and not even manage to get a good photo.<\/p>\n<div id=\"attachment_6728\" style=\"width: 235px\" class=\"wp-caption alignright\"><a href=\"https:\/\/wp.umpi.edu\/utimes\/2021\/04\/09\/four-of-the-smartest-personal-finance-moves-college-students-can-make-this-year\/columbia-mudslide-photographed-by-carol-guzy-and-michel-ducill-2\/\" rel=\"attachment wp-att-6728\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-6728\" class=\"wp-image-6728\" src=\"https:\/\/wp.umpi.edu\/utimes\/wp-content\/uploads\/sites\/27\/2021\/04\/columbia-mudslide-photographed-by-carol-guzy-and-Michel-duCill.jpg\" alt=\"\" width=\"225\" height=\"329\" srcset=\"https:\/\/wp.umpi.edu\/utimes\/wp-content\/uploads\/sites\/29\/2021\/04\/columbia-mudslide-photographed-by-carol-guzy-and-Michel-duCill.jpg 606w, https:\/\/wp.umpi.edu\/utimes\/wp-content\/uploads\/sites\/29\/2021\/04\/columbia-mudslide-photographed-by-carol-guzy-and-Michel-duCill-205x300.jpg 205w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><\/a><p id=\"caption-attachment-6728\" class=\"wp-caption-text\">Frank Fournier&#8217;s photograph, Columbia Mudslide.<\/p><\/div>\n<p>Taking a Pulitzer-worthy photo is an unmatched accomplishment. After everything they had to go through, they will know they have fulfilled their mission and it was worth it. There will be those who won\u2019t understand the importance of what they did and what it cost them. \u201cThis was happening right in front of you, and you were taking photos? Why didn\u2019t you help?\u201d People accused Frank Fournier, for example, of being a \u201cvulture\u201d for photographing Omayra S\u00e1nchez\u2019s last moments, even though there was no way he could have helped her. He did the one thing he could have done: make sure she wasn\u2019t forgotten.<\/p>\n<p><!--nextpage--><\/p>\n<p>In the documentary \u201cA Glimpse of Life: The Pulitzer Photographs,\u201d photojournalists who made history with their work share their experiences and a bit of the story behind their famous photos. Among the photographs that it mentioned, there is the heartwarming \u201cFaith and Confidence (1958).\u201d It shows a moment of connection between a police officer and a little boy during a parade. The officer bends over to talk to a little boy and they smile at each other. William C. Beall captured the moment. The boy, fascinated by the exploding fireworks, was trying to get closer and the officer was kindly explaining to him why it was unsafe to do so.<\/p>\n<div id=\"attachment_6727\" style=\"width: 293px\" class=\"wp-caption alignright\"><a href=\"https:\/\/wp.umpi.edu\/utimes\/2021\/04\/09\/four-of-the-smartest-personal-finance-moves-college-students-can-make-this-year\/fbc0b4ed304309f3a21731eb8ba1711b\/\" rel=\"attachment wp-att-6727\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-6727\" class=\" wp-image-6727\" src=\"https:\/\/wp.umpi.edu\/utimes\/wp-content\/uploads\/sites\/27\/2021\/04\/fbc0b4ed304309f3a21731eb8ba1711b-762x1024.jpg\" alt=\"\" width=\"283\" height=\"380\" srcset=\"https:\/\/wp.umpi.edu\/utimes\/wp-content\/uploads\/sites\/29\/2021\/04\/fbc0b4ed304309f3a21731eb8ba1711b-762x1024.jpg 762w, https:\/\/wp.umpi.edu\/utimes\/wp-content\/uploads\/sites\/29\/2021\/04\/fbc0b4ed304309f3a21731eb8ba1711b-223x300.jpg 223w, https:\/\/wp.umpi.edu\/utimes\/wp-content\/uploads\/sites\/29\/2021\/04\/fbc0b4ed304309f3a21731eb8ba1711b-768x1032.jpg 768w, https:\/\/wp.umpi.edu\/utimes\/wp-content\/uploads\/sites\/29\/2021\/04\/fbc0b4ed304309f3a21731eb8ba1711b.jpg 945w\" sizes=\"auto, (max-width: 283px) 100vw, 283px\" \/><\/a><p id=\"caption-attachment-6727\" class=\"wp-caption-text\">Faith and Confidence (1958).<\/p><\/div>\n<p>Another impressive photograph is \u201cThe shooting of Lee Harvey Oswald (1964).\u201d Robert H. Jackson captured the exact moment that club owner Jack Ruby shot the alleged assassin of John F. Kennedy. The photographer was there thinking he would just get a photo of Oswald being transferred to county jail. He had missed a chance to photograph the assassination of Kennedy a couple of days before because he had no film in his camera. Jackson had no idea he was going to take such a historic photo. In the photo, you can see Oswald\u2019s face twisted in pain and shock as the bullet hits him.<\/p>\n<p>In \u201cLull in the Battle (1975),\u201d four muddy men are slumped against an earthen bank. The place looks like a battlefield, except these are not soldiers. They are firefighters. Their pensive look shows they are still processing what they have just gone through. Photographer Jerry Gay got to the site and took the picture after the men had put down the fire.<\/p>\n<p>There is one picture that is especially heart-wrenching, and that\u2019s \u201cThe Agony of Omayra S\u00e1nchez (1984).\u201d Omayra S\u00e1nchez Garz\u00f3n was 13 years old when a volcanic eruption demolished her home and she ended up pinned beneath the debris of her house. She remained trapped in water for three days. Unable to get her out of the water without amputating her legs, and lacking the resources to do so, doctors decided it would be more humane to just let her die. Frank Fournier, a French reporter, took the famous photo of S\u00e1nchez. The picture is a close-up photo of her face. Her whole body is under muddy water, only her head and hands are visible. Her hair is short, black and curly and she is wearing small golden earrings. She has dark circles under her eyes and the whites of her eyes are dark red. So dark, in fact, that they merge with the natural brown color of her iris. Her hands are so pale compared to the mocha color of her face that they seem to belong to someone else. Those were her final moments.<\/p>\n<p>A dramatic picture with a happier ending, \u201cWater Rescue (1997)\u201d shows a firefighter trying to save a teenage girl who\u2019s trapped by floodwaters. The water swirls furiously around them. Photographer Annie Wells was at Matanzas Creek in Santa Rosa when she saw the girl in the water and the firefighter going to her. Wells knew that the girl was either going to die or be saved, and that would be the picture Wells would get. Thankfully, the rescue was a success.<\/p>\n<p>Photos with children crying can be distressing to look at. \u201cThe Eli\u00e1n Gonz\u00e1lez Raid (2000)\u201d is one of those photos. Eli\u00e1n Gonz\u00e1lez, only 8 years old at the time, survived a dangerous crossing from Cuba to the United States by boat. All the other refugees died, including his mother. In the photo, he is being taken by force from his American relatives to be sent back to his father in Cuba. The photographer, Alan Diaz, was authorized by the family to wait at the house and take the photo, as they were aware the raid was going to happen. You can see the moment a soldier opens the closet where a man is hiding with Gonz\u00e1lez in his arms. The boy looks straight at the soldier and cries.<\/p>\n<p>Every single photo in the documentary has an impressive story behind it. It is a privilege to witness such intense moments even though we were not there. We can establish an intimate connection with people whose lives and realities are so different from our own, all thanks to fearless professionals who were willing to lend us their eyes.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Taking the perfect picture and becoming a Pulitzer Prize winning photographer is no easy task. After all, a Pulitzer Prize is the biggest honor a photojournalist can achieve. Those who choose this photojournalist path in life can no longer just live for the moment. They need to always be \u201con call,\u201d in a constant state [&hellip;]<\/p>\n","protected":false},"author":104,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[7381],"tags":[],"class_list":["post-6645","post","type-post","status-publish","format-standard","hentry","category-archives","et-doesnt-have-format-content","et_post_format-et-post-format-standard"],"_links":{"self":[{"href":"https:\/\/wp.umpi.edu\/utimes\/wp-json\/wp\/v2\/posts\/6645","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.umpi.edu\/utimes\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.umpi.edu\/utimes\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.umpi.edu\/utimes\/wp-json\/wp\/v2\/users\/104"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.umpi.edu\/utimes\/wp-json\/wp\/v2\/comments?post=6645"}],"version-history":[{"count":1,"href":"https:\/\/wp.umpi.edu\/utimes\/wp-json\/wp\/v2\/posts\/6645\/revisions"}],"predecessor-version":[{"id":8270,"href":"https:\/\/wp.umpi.edu\/utimes\/wp-json\/wp\/v2\/posts\/6645\/revisions\/8270"}],"wp:attachment":[{"href":"https:\/\/wp.umpi.edu\/utimes\/wp-json\/wp\/v2\/media?parent=6645"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.umpi.edu\/utimes\/wp-json\/wp\/v2\/categories?post=6645"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.umpi.edu\/utimes\/wp-json\/wp\/v2\/tags?post=6645"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}